thenearsightedmonkey:

Hand-out for the first “The Unthinkable Mind” class taught by Lynda Barry at the University of Wisconsin-Madison.

Links to video and audio mentioned in the hand-out

1) Four-Minute Diary timing video

2)  Carl Sagan talking about the brain and strolling down the corpus callosum in his Hush Puppies.

3) A very young Michael Gazzaniga talking about early split-brain research in the late 1950s. Note: The first part of the video (monkeys) might be disturbing to some people. The second part (humans) may be mind blowing to some people.

4) Interview with Iain McGilchrist on the brain’s hemispheric differences conducted by Wisconsin Public Radio’s Steve Paulson

Question: Why are you coloring pictures in a class that is supposed to be about the brain?

Answer: Read this:  Doodling and the default network of the brain (Lancet)

and  also this: “Doodling may help memory recall” (BBC)

Question: About how long does it take to completely cover an 8.5 x11 inch piece of paper with a solid coat of crayon wax?

Answer: About two hours —-or two episodes of American Horror Story

Question: Is there a trick to it?

Answer: Layering. And also knowing that the process can be frustrating at first but then, somehow, you get into it and something like a relationship with the image itself develops. But it’s frustrating. The paper tears or wrinkles, the wax won’t lay down. But this is exactly how you get to know the materials, by seeing how they act together and how they act with your hands, the one that colors and the one you barely notice that adjusts the paper in minute ways and holds it steady. What is that hand doing while the other one colors?

Don’t be frustrated by the frustrating parts. Keep figuring out the crayon and the paper, what they are, how they act. Look closely at the wax track the crayon is leaving on the paper. What’s making the wax come away?  What colors do you seem to keep picking?

“Some sense of the action lies in the queer kind of sympathy that the artist is able to call up for the thing he is [coloring]. The true amount of mental sympathy that the student can give to a subject he wants to [color] creates a sense of life in the picture. From this sense of life, the picture begins to have value all its own…”

Jan Gordon, “A Step-Ladder to Painting”

Question: What kind of pictures are you coloring?

Answer: It almost doesn’t matter. In The Unthinkable Mind Class we’re using images from dollar-store coloring books, Sesame Street characters, Batman, Rappers, Hello Kitty, screaming teddy bears holding knives, The Creature, Astro Boy, My Little Pony, Gorillaz, very bad mermaid drawings, Pokemon, and many other images you’ll easily find if you search for ‘coloring pages’. Pick four pictures and print them out on different kinds of paper. Rougher paper is better but even copier paper will work. Buy a box of 24 crayons. Color those crayons down and peel the paper down in order to color some more. Cover the whole page and notice what happens as you color— move from satisfaction to frustration to satisfaction to confusion to worry to satisfaction again, but keep going until the page is fully covered. Put them up on the refrigerator and stare at them. What just happened?

Tom and Jerry - Cat And Dupli Cat (1966) 

(via mothgirlwings)

travelingcolors:

San Francisco (via 3gindians)

travelingcolors:

San Francisco (via 3gindians)

(via asciident)

“It’s The Great Pumpkin, Charlie Brown” (1966)

(via mothgirlwings)

mothgirlwings:

Mickey and Minnie Mouse tickle the ivories in Walt Disney’s “When The Cat’s Away” (1929)

mothgirlwings:

Mickey and Minnie Mouse tickle the ivories in Walt Disney’s “When The Cat’s Away” (1929)

Things I want for you:

drinkyourjuice:

  • make as much light as you possibly can in this world
  • go everywhere, do everything, meet everyone
  • don’t be afraid to be sad when you feel sad
  • or angry or lonely or uncreative or anything demonized by people who are too ignorant to see how incredibly powerful and important it is to understand and be in touch with the things you feel
  • make as many other people feel seen and understood as you can
  • acknowledge someone when they speak to you, greet you, or show you human decency
  • trust actions, not words
  • listen to all of the music
  • eat good stuff
  • make things when you can
  • say things when you think them
  • never let being scared be the reason you don’t do something that matters to you
  • respect your pace
  • respect other people’s paces
  • take a minute to be absolutely blown away by how completely beyond anything your imagination could have concocted this world can be whenever it happens
  • ask questions
  • tip well
  • make people laugh until it hurts and isn’t funny and they’re crying and maybe farting a little
  • appreciate the magic in getting to know someone
  • never stop loving people fucking wholeheartedly
  • let your heart really, really break
  • sew yourself back together afterwards and be a smarter person for it
  • eye contact
  • never be afraid to be ugly. Joan Rivers used to tell a joke about how a man never reached up a woman’s skirt looking for a library card, and while I get it, he’s usually not looking for a hot vag either. At least not anatomically. He’s looking for something that’s gonna make him feel happy, even if it’s just for a minute. Don’t put your self esteem in the basket where you keep your ability to get someone else off. Anyone could fuck you, but you get to be you. Love that shit holistically. Respect it and revel in it and enjoy it as a separate experience. Literally anyone could love you at your most successful or sexiest, but you get to love you when you’re hungover and insecure and peering into a mirror at 5 AM wondering what the hell you’re doing with yourself. The latter is a privilege. It’s a lot more rewarding and you need to be awake and strong enough to be there for yourself. To bear witness to yourself.
  • don’t be too cool for Top 40 radio
  • actually, just don’t worry about being cool whenever possible

I wrote this probably more as a letter to myself than anything, but here you are just the same my babies.

(Source: christinefriar)

thenearsightedmonkey:

42 years ago THIS is what dudes were lookin’ like

Yep. Great example. (And they NEVER get it right in movies about the 70s.)

beautravail:

John Stanley is best known for writing Little Lulu and Nancy in the comic-book format but as it turns out he was also the best-looking cartoonist this side of Artists and Models.

Proof that artists often unconsciously draw themselves, this picture looks exactly like Billy in John Stanley’s “Thirteen Going on Eighteen” comic books.

beautravail:

John Stanley is best known for writing Little Lulu and Nancy in the comic-book format but as it turns out he was also the best-looking cartoonist this side of Artists and Models.

Proof that artists often unconsciously draw themselves, this picture looks exactly like Billy in John Stanley’s “Thirteen Going on Eighteen” comic books.

Phonophobia: Perfectly defined by Dorothy Parker here. “I can’t look you in the voice.”

Phonophobia: Perfectly defined by Dorothy Parker here. “I can’t look you in the voice.”